Archive for March 10, 2011


The designer collection by Louis Vuitton presented the theme of fetishism where the models in suggestive uniforms walked down the glassy black catwalk.

This slideshow requires JavaScript.

Their faces covered up with tiny plastic masks, S&M corseted waistlines, mini handcuffs and bits of bondage gave them more of  a ladylike appearance, revealing something but no flesh on display.

Marc Jacob, the designer, served up lots of great products, from nipped waists yet voluminous coats, often worn with knee boots in sex-shop latex, snazzy pencil skirts and high-waisted jodhpurs that all looked great. And there was plenty of firepower in the accessories – suggestive rubber riding boots with high heels or lacy fetish booties, LV-stamped totes or commercial and cool fur shoulder bags.

A perfect show for the finale to the Paris Fashion Week. Last to appear was Kate Moss, who strode the catwalk in tight jacket, black knickers and boots, smoking a cigarette.

Backstage, Jacobs said the idea for this season’s show came from Claridge’s hotel in London. “Whenever I stay there, I see all these incredible women, coming and going in the morning and the afternoon and at night. I love looking at what they are wearing trying to guess who they’re with – husbands, lovers, clients.”

 

 

Karl Lagerfeld kept the designs themed after volcanic landscapes for this season featuring apocalyptic look.

This slideshow requires JavaScript.

Drawbridges were raised at either end of the vast, 120-metre catwalk and the 65 models appeared in opposing waves, in a volcanic interpretation of 21st century ready-to-wear.

The look was tough and strong and as black as coal. The Chanel “cardigan” jacket was layered over loose black shirts, hanging out, over baggy man’s style trousers tucked into tweedy gaiters and sturdy workboots.

Hooded, floor-length, “magician’s” capes glistened with fiery-red or onyx-like crystals. A cream tweed cardigan-suit was worn over faded, skinny black jeans.

Mechanics’ boiler-suits came in industrial silver, and knitted maxi-dresses, with a hint of colour, had criss-cross braces at the back.

The evening wear, although occasionally offering a softer mood, with organza, tulle and metallic blue in evidence, generally followed the rebellious, tough-school theme.

Follow

Get every new post delivered to your Inbox.

Join 40 other followers

%d bloggers like this: